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Mattia Battistini: King of Baritones and Baritone of Kings, by Jacques Chuilon
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Mattia Battistini (1856-1928) is considered by many to be among the finest examples of the bel canto singing style. His unique vocal abilities and strong stage personality made him the most famous singer of his time, with a career spanning nearly 50 years in the most revered opera venues in Europe. Mattia Battistini: King of Baritones and Baritone of Kings covers the singer's entire career, from his first performance in Rome in 1878 to his final concert 50 years later. Jacques Chuilon analyzes Battistini's principle roles, recordings, and vocal technique, accessing a rich collection of reviews from the time to show Battistini's relationship with and influence on the day's top composers, such as Wagner, Verdi, and Massenet, even going into detail on how Massenet rewrote his music especially for Battistini's voice. Through this important research, Chuilon offers a fresh portrayal of this unique and inspiring, yet often misrepresented, individual. Mattia Battistini: King of Baritones and Baritone of Kings also contains an informative postscript by Battistini's granddaughter, as well as the most complete list ever compiled of Battistini's performances around the world, an impressive selection of photographs, a discography, and a 90-minute CD, re-mastered to reveal the full splendor of Battistini's magnificent voice as nearly as possible. It is an unmatched reference for teachers, students, professional musicians, and singers, as well as the casual opera lover.
- Sales Rank: #3848704 in eBooks
- Published on: 2009-04-13
- Released on: 2009-04-16
- Format: Kindle eBook
Review
Such an easily-accessible and wide-ranging account of Battistini's and his colleagues' performances of his hitherto almost-unknown life away from the stage, and the background to his recordings is certain to be of great interest to his many admirers....The accompanying CD presents a well-chosen survey of the recordings made over its subject's entire recording career, 1902-1924. (Michael E. Henstock)
Author Chuilon covers Battistini's career in astounding detail....vociferous advocacy of a singing titan is hardly a crime, especially when it is backed up by so much excellent research and knowledgeable commentary by both the author and others. (Joe Pearce)
This book is indispensable for all singers and lovers of the "lost" bel canto tradition. In this biography of one of the consummate masters of singing, Mattia Battistini, Chuilon has lovingly collected every possible piece of information about this "glory of Italy," analyzed it, sorted it, and now in this English version, made it possible for a new generation of opera lovers to understand how this singer was so important to the success of Verdi and Massenet, to Wagner and Saint-Saëns, among so many others. The restored musical excerpts on the enclosed CD, and the thorough analysis of Battistini's vocal technique and career, make it a valuable reference work, and a source of inspiration musically and aesthetically. (Thomas Hampson)
About the Author
Jacques Chuilon has published articles in Opera Quarterly and Opera International, and is the author of Opéra Opinions (1994) and La voix qui chante (1998).
E. Thomas Glasow was an author and opera critic for Opera News and was editor-in-chief of Opera Quarterly from 1998 until his death in 2004. He has translated several titles into English, including Olivier Messaien: Music and Color: Conversations with Claude Samuel (1994), and Daniele Pistone's Nineteenth-Century Italian Opera (1995).
Most helpful customer reviews
8 of 8 people found the following review helpful.
The Battistini Handbook
By Jeff Stephens
At last, a book on Mattia Battistini in English. This is not an intimate biography. However, it does follow his career in such detail as may be gleaned from the many newspaper and magazines that reviewed his performances. It is not only a study of Battistini's career but about his voice. Chuilon states on page 125 that it is one of his aims to analyze the image of the artist as perceived by the public; of course the public is often incorrect. Chuilon utilizes the previous biographies written in the last 100 years, mostly to debunk the erroneous statements made by those authors. Chuilon in fact does a lot of debunking in the course of this book. He makes it his business to shoot down the myths and prejudices, ignorance and foolish statements made over the years by critics and "historians".
Chuilon obviously has a vast knowledge of the art of voice and speaks clearly about it, not like some writers on the subject whose taste for mysticism takes the place of experience and understanding. He is familiar with the singers who made acoustic recordings and compares them with finely tuned analytical powers in a clear-cut manner, not just giving opinions but reasons why the art of bel canto is represented by Battistini and few others. He understands performance practice and the objectives which make different styles so interesting to lovers of old vocal recordings. It seems he also has a view of the big picture, that of Art in general, and explains many aesthetic concepts about the art of voice (and its decline) in the twentieth century which can be applied to other arts.
For those wanting the intimate biography, I cannot condemn this book for what it is not. It mentions Battistini's wife only a few times. One wonders where all the letters are between these two considering Battistini's long stretches spent in Russia. But the book does fill a gap that has existed too long. Let someone else write the conventional bio. I hope this book interests someone to do that. Chuilon quotes many newspaper reviews, this seems to be his main source, besides the previous bios in Italian and several other publications long out of print. This book contains a good consolidation of writings that one would never be able to find elsewhere. He does quote a few of Battistini's letters in the latter part of the book. I would like to have read more about his personal relationships, although there is a postscript mentioning his lovechild with a rich Russian woman. This is something not in the original French version. But something in the French version that is not in this English translation is the wealth of photos and pictures that make the French book into an art book with a text.
A CD comes with this book and covers Battistini's career, his first recording, his last recording and 17 more in between. The audio restoration on these acoustical recordings is really great, and I think compares with the two maestros in this field, Marston and Zwarg.
I expect most collectors of the music on vocal 78s will buy this book and read it since they, like me, have been longing for one for years. The info on Battistini would be enough to want it, but the fun I had and the benefit I gained from Chuilon's knowledge of voice and his clarity in discussing matters pertaining to it were quite unexpected for me and held at least as much of my interest as the actual bio info. The very last part of the book should be required reading for music majors and anyone in a professional capacity whose business involves understanding voice.
4 of 4 people found the following review helpful.
a biography worthy of its subject
By Col William Russell (ret)
One aspect I enjoy of the book is that M. Chuilon doesn't spend needless time about his parents and childhood. He gets right into the career with only the necessary information about the early years. He also does something no other biographer of great singers does in that he gives us conflicting contemporary reviews and works to find a common thread. Quite outstanding and gives far more of the artist than simply copying reviews, whether they be accurate or not.
Finally! A biography in English (ok, translated) about the greatest baritone who lived into the recording era.
In addition, M. Chuilon adds subchapters about Battistini's recording sessions during the years in question and discusses the recordings in clear, analytical detail. I know and enjoy Battistini's recordings but his notes made me go back and re-evaluate some.
Another plus of this book is a CD included with it. The remasterings - also by the author - are excellent plus he offers readers access to his website that offer fifty arias by Battistini for download. I regret to say that I haven't had the time to explore this but if the downloads are the same quality as the book and CD, they are excellent.
I Also Recommend: Tito Gobbi on His World of Italian Opera, Fernando de Lucia.
0 of 0 people found the following review helpful.
An Excellent Book on a Grand Artist
By Dennis E. Ferrara
Jacques Chulion has produced one of the finest of biographies of the King of the Baritones: Mattia Battistini. Excellent research which not only covers the baritone's glorious career but also a listing of his appearances in opera as well as in concerts. Battistin's own letters and discussions on true bel canto singing are here. Several fine photographs of the baritone in select roles. An excellent discography is also present; hopwever, one only wishes that the record cataologue numebrs would have been listed as well as the matrix numbers.
For anyone who loves this glorious voice and the history of 19th and early 20th century operatic artists, this is a must. Operatic artists today could learn much from reading this biography. Battistini's career spaned 50 years and the late recordings reveal that his voice was still in very good condition. By the way, a cd covering many examples of the baritone's art is attached as part of this biography. A great bargain indeed!
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